The mood of the poem, on the other hand, appears to be light — hearted at the beginning as the poet indulges on selecting a particular path, based on how it appears to be grassy and untrodden. Robert Frost: A Modernist or Not? When he first comes upon the fork in the road, the paths are described as being fundamentally identical. A stanza is a group of lines which form a unit in a poem. . Students jotted down predictions at the top of their paper, and we shared as a class.
In the second stanza, the speaker chooses a road. Moral of the story: Don't blaze new trails, follow the traditions set down by your predecessors. He judges that in that morning the leaves are not stepped on continuously; hence are not turned to black. When he came in the morning, he found that both the roads were looking same and both the roads were covered with autumnal leaves. This Road not taken analysis will try to shed light upon a deeper meaning which this poem encapsulates in its twenty lines. There is no coming back from making a decision as one decision would open up a labyrinth of choices that an individual has to cope with.
Frost captures the uncertainty about making decisions and our natural desire to know what will happen as a result of the decisions we make in the first stanza of the poem: 'Two roads diverged in a yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth' Here, Frost uses the bend in the road as a metaphor for what the narrator wishes he could see but ultimately can't make out in the undergrowth. Some people just chose a road at random and don't worry about it. Thomas was sadly killed the two years later. Rather than taking the safe path that others have traveled, the narrator prefers to make his own way in the world. That is, it is unclear what it means.
But you yourself can resurrect it from zombie-hood by reading it—not with imagination, even, but simply with accuracy. Next, the poem seems more concerned with the question of how the concrete present yellow woods, grassy roads covered in fallen leaves will look from a future vantage point. Well, the famous American poet, Robert Frost, once wrote a poem that describes this feeling exactly. The Road Not Taken is a narrative poem. The poem is written as a lyrical poem, with four stanzas of five lines each.
He thinks maybe he might come back another day and try out the other path but he has a feeling that the road he's chosen will lead him to new places and discoveries, and he probably won't be back. The narrator's choice about which road to take represents the different decisions we sometimes have to make and how those decisions will affect the future. So, do register at Myeduz. Frost knew that one road leads to another, and another, and another so that he might never have the chance to come to that junction again, and consequently, never be able to walk along the first path that he had just rejected. The poet has used images of the sense of sights such as leaves , yellowwoods and These images help readers to actually perceive things they are reading.
Perhaps, he chose the less travelled one. It was tough for him to recognize the real road as in the morning he was the first person to walk on the road. In the poem, Frost has reached this fork in the road or point of decision, not. The poet has used metaphors such as the roads which represent a choice of life. The first thing I asked students to do was to make a prediction about the poem based only on the title. But the most important modernist elements of this poem have to do with the poem's meaning: there are a lot of things that aren't clear in the poem, and the mood of the poem is not necessarily uplifting. He feels that it is full of grass and less trodden.
The expression of uncertainty about choices and our natural tendency to surmise about consequences we may have to face marks the central point of the poem. One of the attractions of the poem is its archetypal dilemma, one that we instantly recognize because each of us encounters it innumerable times, both literally and figuratively. Because of the next to last line of the poem, many people incorrectly believe that the title of the poem is 'The Road Less Traveled,' but it's not. The two roads diverged in a yellow wood symbolize a person's life. Oh, I kept the first for another day! Stanza 3 Summary In this third stanza, mentions in lines eleven and twelve that in the moment that this individual was making his decision, both paths were nearly identical. He believes that after many years, he will look back on the memory of that walk and think that by choosing the path that less people had been on, he has forever eliminated the first path from his travels. The dilemma of the speaker in the poem is simple and is revealed early.
But unlike other modernists, Frost also kept some of the traditional aspects of poetry. This stanza presents the dilemma of having to make a choice where both the options seem appealing. He died in Boston two years later, on January 29, 1963, after complications arose from a prostate surgery he had undergone recently. Stanza 2 The entire task of making choices is, however, extremely difficult and requires much speculation. He marvels that maybe some years into the future he will speak about that day at the fork and the choice of road he made but he will modify the truth a little by saying that the road he took was indeed the one less traveled by.
After choosing one of the roads, the narrator tells himself that he will come back to this fork one day in order to try the other road. The narrator eventually decides to take the other road because it really doesn't matter; whichever path he chooses, he has no way of knowing where he's going to end up. The narrator comes upon a fork in the road while walking through a yellow wood. Hence, because of all the future road choices he knows he'll encounter, he thinks he's unlikely to ever come back and discover what this first road is like. In addition, the modernist poets moved away from using images of nature, and they viewed the world with a more pessimistic lens. The poem puts forward the point that no matter what choice one may make, even a good choice, one will still look back and wonder what would have happened with a different decision. Diction Frost makes use of simple, descriptive and informal words such as difference, sigh, leads, for giving the reader an impression of the mental confusion, urgency, and isolation, one is bound to experience, when one stands at the crossroads of his life.
Commentary This has got to be among the best-known, most-often-misunderstood poems on the planet. And both that morning equally lay 12. Oh, I kept the first for another day! First, let's look at the way Frost makes the poem unclear. Meter is something that Frost liked to use a lot, even when he didn't use rhyme. The use of literary devices is intended to bring richness and clarity to the text with different meanings. We experience this literally: in the roads we take and the routes we walk on a daily basis, and figuratively: when we come to points in our lives where we must make decisions for our next steps, based on the opportunities presented to us.